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Thursday, January 30, 2020

Reality TV is a huge success to the television industry in the 1990s Essay Example for Free

Reality TV is a huge success to the television industry in the 1990s Essay Reality TV is a huge success to the television industry in the 1990s. As a genre description, reality TV is widening its usage from news magazine programmes based round emergency service activities to talk shows, docusoaps and a variety of first-person programmes (Creeber, 2001: 135). Reality TV with extensive meaning becomes popular to describe any factual programme based on an aesthetic style of apparent zero-degree realism in other words a direct, unmediated account of events, often associated with the use of video and surveillance-imaging technologies (Creeber, 2001: 135). While Barnfield has criticized the loose usage of the term, suggesting that over the last decade such a wide range of productions have been categorized as Reality TV that one wonders if the term is too general to be helpful'(Holmes and Jermyn, 2004: 3). It is true that reality TV is not explicit enough in meaning. However, it is the best word applicable to all situations and never unilateral. It gives producers more space to innovate new programmes as to prosper this genre. Reality TV evolves with the development of new technologies. New sub-genres emerged as the hybrids of established genres. It challenges traditional documentary and changes the serious content to more entertainment elements. Every format is close to everyday life to convince the audience as real programming. In the short history of only two decades, reality TV has evolved into various formats. I will focus on five main forms which have either had a remarkable effect on television history or unprecedented audience ratings with reference to relevant representative programmes of British television. Contested Generic Identification: Definition of Reality TV It seems difficult to issue a particular definition of reality TV to attest to debates over it. As Su Holmes and Deborah Jermyn point out: Producing a particular definition of Reality TV is nevertheless complex. This is partly because of the fundamentally hybrid nature of the forms in question. Yet it is also because of the range of programming to which the term Reality TV has been applied, as well as the extent to which this has shifted over time with the emergence of further permutations in reality-based texts. (Holmes and Jermyn, 2004: 2) Jon Dovey characterised this genre by reference to the dominant and original forms of Reality TV that feature police and emergency service work (Dovey, 2000: 80). In his opinion, as form and construction, reality TV should be: à ¯Ã‚ ¿Ã‚ ½ camcorder, surveillance or observational actuality footage; à ¯Ã‚ ¿Ã‚ ½ first-person participant or eye-witness testimony; à ¯Ã‚ ¿Ã‚ ½ reconstructions that rely upon narrative fiction styles; à ¯Ã‚ ¿Ã‚ ½ studio or to-camera links and commentary from authoritative presenters; à ¯Ã‚ ¿Ã‚ ½ expert statements from emergency services personnel or psychologists. (Dovey, 2000: 80) These elements are helpful in interpreting the origins of reality programmes and in understanding its sub-genres and new development. Only by bearing these elements in mind can we make reference to relevant programmes when we trace back history to discuss the evolution of reality TV. Is it American Innovation? : Historical Precedent of Reality TV There is no consensus about the first reality programme. Jon Dovey thought that Reality TV is generally historically located as beginning in the US with NBCs Unsolved Mysteries in 1987 (Dovey, 2000: 81). While Bradley D. Clissold considered that during the years that it aired, Candid Camera (US, 1948- ), arguably the first Reality TV programme, proved itself to be one of US TVs most memorable, enduring and popular shows (Holmes and Jermyn, 2004: 33). There is a consensus that the earliest reality programme came out in America. In addition to these mentioned above, other commentators like Richard Kilborn, Chad Raphael and Gareth Palmer all agreed with this conclusion (Kilborn, 2003: 55; Palmer, 2003: 21). In the commercial environment in America, technologies like cable, satellite and digital prospered reality programmes in television market. However, reality TV as a television genre has evolved into a very strong Eurpoean form with regional variations in each country (Dovey). In mid-1980s, when surveillance technology such as CCTV (closed-circuit television) became accessible, Britain produced its own reality programmes, which revealed real accidents, crimes and emergencies. By using CCTV footage, these reality programmes departed from traditional documentary and were quickly accepted by the curious audience because of their witness techniques. They were real shows without actors and noted for low-cost which was attractive to most programme-makers. Among these early reality programmes, Crimewatch (BBC, 1984- ) was most influential. Jon Dovey said it has been seen as central to the development of the form, particularly in respect of debates around criminology and the media (Creeber, 2001: 135). Deborah Jermyn, who is experienced in studying television crime appeal, commented on Crimewatch: Promoting the growth of crime-appeal programming in Britain with a format where serious unsolved crimes are reconstructed, police and victims families interviewed, images of suspects publicized and the public encouraged to phone in and volunteer information by this time the series had comfortably established itself as Britains foremost crime-appeal programme. (Holmes and Jermyn, 2004: 71) The effectiveness of Crimewatch as a detergent to crimes has been under much debate. It entertained the audience, but it was weak as a warning to the criminals. As Jermyn commented: indeed some criminals have claimed that the poor-quality CCTV footage they witnessed on Crimewatch actually gave them an incentive to commit crime (Holmes and Jermyn, 2004: 82). The use of CCTV conspicuously enhances the programmes claims to authenticity and underlines its sense of a privileged relationship with real crime and actuality, qualities which programme-makers evidently believe to be ratings winners (Holmes and Jermyn, 2004: 83). In this case it is exciting for the audience to see the raw footage without caring much about its effect of crime appeal. These early reality programmes about crime appeal, accidents and emergencies formed a new documentary format, which was the precedent of a new genre-reality TV. Later popular factual entertainment programmes are based on these elements to innovate. Their effect is remarkable in a long term. Fly-Off-the-Wall: Video Diaries Known as Access TV The 1990s was a golden era for the prevalence of reality TV. Jon Dovey points out: it seems that ordinary people, non-professional broadcasters, have never been more present on our screens (Dowmunt, 1993: 163). Camera is no longer simply fly-on-the-wall to observe and record, but closes to the object to become active fly-off-the-wall. For a long time, access TV, as new reality television, has been in a great demand. According to Jon Dovey, there are some fundamental principles that identify access programming; they centre around control and power over the programme-making process, especially the authors should have control over the whole process of representation (Dowmunt, 1993: 165). Camcorder and video technology opened up expansive space for access TV. Non-professional broadcasters became a leading role in making these programmes. As Patricia Holland commented on this innovative style: The video diary style, in which programmes are made with domestic video equipment by members of the public rather than by television professionals, has introduced a new way of making programmes. Low-tech, with a less polished appearance, they seem to bring the audience even closer to the realities they show. (Holland, 1997: 158) Video Diaries, produced by the BBC Community Programme Unit from 1990-1999, was a representative of access TV. From these series of programmes, Jon Dovey noted: the Unit solicits and researches ideas from potential diarists with a compelling story to tell. Once chosen, the diarist is trained in the use of an S-VHS camera and packed off to shoot their story, with support from the Unit should it be needed. In this way the diarists are given not only editorial control but also control over the means of production. They return with anything up to 200 hours of material and attend all the edit sessions, from an initial assembly which is viewed and discussed at length to the offline and online edit processes. (Dowmunt, 1993: 167) The format of Video Diaries is a development of documentary. Gareth Palmer has explained that it imported the authorizing and legitimizing discourse of documentary into the personal, and in doing so it imported also documentarys ordering principle into individual lives (Palmer, 2003:168). It was popular to the audience and also gained acclaim from the critics because of its flexibility in recording reality. Nevertheless there were debates that the producers had already controlled the programme by selecting the diarists, and there were also problems of quality and legality. New Observational Documentary: Emergence of Docusoap Docusoap is one form of the new observational documentary and one sub-genre of reality TV. It is a hybrid of documentary and soap-opera. It improves from serious documentary to emphasize on entertainment, especially everyday lives. Developed in the UK in the mid-1990s, the docusoap enjoyed unprecedented success for roughly a four-year period (1996-2000) (Kilborn, 2003: 87). Docusoap combines documentary and drama. There are elements of narration, interviews and background music, and similar sequences as soap-opera. Each episode has a certain title and focuses on character, personalities, plot or situation. Technological advances promote the development of new observational documentary. New technologies like lightweight cameras, portable sound equipment and non-linear editing system accelerate editing process with better quality and effect. Besides, financial benefits also attract producers to choose new technologies. As Paul Hamann has commented, docusoaps already cost on average only a third of the price of the equivalent in light entertainment or sitcoms (Bruzzi, 2000: 77). The entertainment factor of docusoap makes it popular with audience. Driving School peaked at 12.45 million viewers (Bruzzi, 2000: 86). It focused on the trials and tribulations of people preparing for their driving test (Kilborn, 2003: 96). Compared to the core character of reality TV, docusoap is blamed to be less factual with aesthetic reconstruction. According to Bruzzi: The sequence most frequently cited is that in which Maureen Rees, on the eve of another attempt at her theory exam, wakes in the middle of the night and asks her husband Dave to test her on the Highway Code. The sequence is a reconstruction, and Jeremy Gibson (head of BBC Television Features, Bristol) and others have gone on record exonerating themselves from blame, commenting that, having gleaned that Maureen did get up at night ghrough panic, it was perfectly legitimate to recreate such a sequence without the film crew having to camp out in her bedroom for an entire night. (Bruzzi, 2000: 87) The producers intervention revealed obvious dramatic skills, which aimed at telling a complete story. In any case, under these circumstances one can never expect a totally natural performance from the character with the presence of camera. These factors make docusoap not so real, but the audience appreciate it for the entertainment value and these factors do not affect their enjoyment. However, by the end of 1990s, this new documentary format had gradually lost its popularity. Critics and executives of TV channels began to complain the similar content with in the same format between series. It was also blamed as a challenge of serious documentary. Then new factual programmes emerged and replaced docusoap in TV schedules. Docusoap is remembered as a creative hybrid of documentary and fiction with high ratings in the history of reality TV. Serve the Public: Prevalence of Lifestyle Lifestyle is another sub-genre of reality TV, of which BBC has been one of the biggest providers (Gareth Palmer; Holmes and Jermyn, 2004: 173). It originated in the 1990s and is still popular today. It occupies a large part of TV schedule, shown usually in the daytime and prime time. There is a series of choices in dà ¯Ã‚ ¿Ã‚ ½cor (House Invaders [Bazal for BBC1, 1999-2002], Changing Rooms [Bazal for BBC1, 1996- ]), clothes (What Not To Wear [BBC2, 1999- ]) and manner (Would Love To Meet [WLTM, BBC2, 2001-3]) (Holmes and Jermyn, 2004: 174). People now have strong sense that they are citizens and consumers. They are eager to improve their lives. Many are glad to show their private life in front of camera. For habitus, Gareth Palmer commented: Britain is a nation of homeowners clutching close the belief that the home represents a sort of castle. Hence, it makes sense to produce programmes aimed at the house-proud (Holmes and Jermyn, 2004: 179). For fashion, according to Palmer, in looking at fashion programming we come closer to seeing how the individual should ideally be styled according to the new class of experts (Holmes and Jermyn, 2004: 181). There is a debate as to whether fashion shows need be bitchy. Palmer has an interesting opinion: fashion without bitchery, like academia without snobbery, is inconceivable (Holmes and Jermyn, 2004: 184). Bitchery makes fashion programming as amusement. It does happen frequently in our life, which is a factual element of lifestyle. Lifestyle programming is an innovation that television is not only observing peoples life, but also changing peoples way of life. It serves the audience by giving instructions, which is the nature of European television, compared to marketing the audience of American commercial television (Ang, 1991). Lifestyle is a good illustration how culture affects social life. New Interactive Reality Show: World Success of Big Brother Endemols jewel in the crown, Big Brother was thirty months in development and was the brainchild of co-principal, John de Mol. First broadcast on Veronica in 1999 and an immense ratings success, the programme has been adapted in over eighteen territories in Western Europe, the UK, the US and elsewhere. (Albert Moran, the Global Television Format Trade; Hilmes, 2003: 120) Big Brother, a new reality programme is based on established genres such as game show, quiz show, documentary and soap opera. It is a social experiment, in which we witness the reaction of the participants to their new environment and changing circumstances are often beyond their control. With the feature of game show, Big Brother sets its game rules as: The programme involved ten housemates interned together over a ten-week period in a specially designed hermetically sealed environment. The housemates were supplied with food and drink and had access to all amenities, but were isolated from all contact with the media and the outside world; there were no television sets, radios, newspapers. Every week each housemate had to nominate for eviction two fellow-contestants; the two with the highest number of nominations would then be subject to public voting. It was the role of the public to select, by telephone vote, which of the two was to survive. By the final week there would be only two housemates remaining the winner was decided by the public, and took away a cheque for à ¯Ã‚ ¿Ã‚ ½70,000. (Palmer, 2003: 182) From the above description, it is obvious that this programme innovatively uses interactive voting. The audiences have opportunities to join the programme and play a crucial role in deciding the result. In early 1990s, Mike Wayne criticized programmes at that time: broadcasters and programme makers have paid relatively little attention to the way in which people watch television. They have been concerned with how many people see a programme, rather than the way audiences interact with the images on the screen: what they absorb, what they challenge and what they discard (Hood, 1994: 43). It seems that Big Brother answers all these criticisms. Compared to the audience, the participants are powerless to control the programme. They are observed at all times and their lives are exposed to the public. Weve been looking at the housemates through the eyes of thirty-one unforgiving cameras we have seen them at their best and also at their worst (Ritchie, 2001: 279). What they need is just to relax and enjoy their time. For all of them, without exception, it has been an amazing experience. They have learned a great deal about themselves, and the rest of us have learned not just lots about them, but also about human nature in general (Ritchie, 2001: 279). However, all the participants are under much pressure exposing their lives to millions of audience. There is probably some negative effect on the psychology of most participants. Gareth Palmer calls the programme a psychological experiment. Programme experience is not always as wonderful as Ritchies comment in the above paragraph. In Sweden there was a suicide of a participant on a similar programme (Palmer, 2003: 185). So in Big Brother a team of mental health professionals will oversee both the selection process and the psychological well being of the participants while they are in the house (Palmer, 2003: 185). Big Brother creates a small society for the housemates away from the outside world. There are conflicts and also friendship. The participants are competitors and also partners. As the audience watch the trivia of their daily routine, the voiceover commentary helps them understand the situations. Big Brother, a hybrid of different forms with popular interactive elements, is a new format of reality TV. It is leading a new trend of reality programming. Many independent television production companies are professional and experienced in making these new reality shows. Channel 4 and ITV, such non-mainstream commercial channels have shown many this kind of reality programmes. The audience are looking forward to more innovation of reality TV. BIBLIOGRAPHY Allen, R. C. and Hill, A. (2004) the Television Studies Reader, London: Routledge Ang, I. (1991) Desperately Seeking the Audience, London: Roughtledge Bruzzi, S. (2000) New Documentary: A Critical Introduction, London: Routledge Creeber, G., Miller, T. and Tulloch, J. (2001) the Television Genre Book, London: British Film Institute Dovey, J. (2000) Freakshow: First Person Media and Factual Television, London: Pluto Press Dowmunt, T. (1993) Channels of Resistance: Global Television and Local Empowerment, London: British Film Institute Gunter, B. and Svennevig, M. (1987) Behind and in Front of the Screen: Televisions Involvement with Family Life, London: John Libbey Hilmes, M. (2003) the Television History Book, London: British Film Institute Holland, P. (1997) the Television Handbook, London: Routledge Holmes, S. and Jermyn, D. (2004) Understanding Reality Television, London: Routledge Hood, S. (1994) Behind the Screens: the Structure of British Television in the Nineties, London: Lawrence Wishart Limited Kilborn, R. (2003) Staging the Real: Factual TV Programming in the Age of Big Brother, Manchester: Manchester University Press Ishikawa, S. (1996) Quality Assessment of Television, Luton: John Libbey Media Livingstone, S. and Lunt, P. (1994) Talk on Television: Audience Participation and Public Debate, London: Routledge Macdonald, K. and Cousins, M (1996) Imagining Reality: the Faber Book of Documentary, London: Faber and Faber Limited Palmer, G. (2003) Discipline and Liberty: Television and Governance, Manchester: Manchester University Press Ritchie, J. (2001) Big Brother 2: the Official Unseen Story, London: Channel 4 Books Swallow, N. (1966) Factual Television, London: Focal Press Limited Winston, B. (1995) Claiming the Real: the Documentary Film Revisited, London: British Film Institute

Wednesday, January 22, 2020

Comparing Christianity, Judaism, and Islam Essays -- Compare Contrast

Similarities and Differences between Christianity, Judaism and Islam There are many similarities and differences between Judaism, Christianity and Islam. There are also many differences that separate the three major religions of the world. This paper will delve into all three of them. The major similarities that all three religions share are that they are all monotheistic. This all means that they believe in one god and that he is the supreme ruler of all things. They also believe that all things are created equal under one god. They all have books of what they believe to be God's word. The Jews have their book known as the Torah. The Christian's have their book known as the Bible. Lastly the Islamic people have their book known as the Qu'ran. All three of these books have scriptures. These three major religions also share a belief that there is one major area that they claim as their Holy Land. The Jews and the Christians claim Jerusalem, Israel as there Holy Land while the Islamic people claim Mecca, Saudi Arabia. These places are where the people believe that ...

Monday, January 13, 2020

Upon Westminster Bridge and Kensington Market

The Kashmir earthquake happened on Saturday October 5th 2005, at 8:50am local time which had a magnitude of 7. 6. 74,500+ were dead and 106,000+ were injured in the Kashmir region of Northern Pakistan which was the 14th deadliest earthquake of all time. Its focus was 26km down and the shaking lasted for 60 seconds (1 Minute). The most badly affected area was in the Epicentral area around Muzaffarabad which is the capital of the Pakistan administered region of Kashmir. It is 80km north-east of Islamabad. 20 aftershocks were followed after the earthquake. It is said to be the strongest earthquake to hit the region in a century. The primary effects of the Kashmir earthquake included: Several trains on minor lines were derailed, 3. 3 million homes were destroyed, 79,000 people were killed and 100,000 injured. Secondary effects included: Electricity, gas and water supplies were disrupted, an outbreak of diarrhea spread from contaminated water supplies, respiratory infections such as pneumonia and people died of cold and starvation during the harsh winter season especially homeless people. Longer term effects of the Kashmir Earthquake included: The overall cost of the damage was $1000,000, 3. 3 million people had to live in temporary accommodation until rebuilding could start and in rural areas the crops mostly survived and so did the animals living there. Short term responses were: Supplying food and water, rescuing trapped people, rescue and medical teams arriving from other countries, tents supplied. Medium Term responses are: Re-establishing water supplies, building temporary, prefabricated houses, providing money for temporary housing. Long term responses are: Preparing disaster plans and carrying out regular practices, training emergency services, setting up an efficient earthquake warnings and information system using the media There are many similarities and differences from the Kashmir earthquake compared to other earthquakes such as Kobe earthquake/Great Hanshin. The Great Hanshin Earthquake occurred on Tuesday, January 17, 1995, at 05:46 in Japan. The focus was about 19km below the sea whilst the Kashmir earthquake was 26km down. This will have an immense effect on the earthquake, Also, The epicentre was between Kobe and Awaji Island whilst Kashmir`s was around Muzaffarabad. For the Kobe earthquake nearly 200,000 buildings were destroyed whilst for Kashmir there were at least 1 in very 10 buildings were destroyed which will be higher than the buildings collapsed in Kobe earthquake. 5,500 people were killed and 40,000 were injured and an estimated 230,000 people were made homeless in the Kobe earthquake. In the Kashmir Earthquake, 74,500+ were killed and 106,000+ were injured which is more than double the people who were affected from the Kobe Earthquake. Other reasons for Kashmir Earthquake being more severe are: It is a mountainous area, it is in a collision zone. These stats tells us that The Kashmir earthquake was stronger and more severe and had a bigger impact to the society, economy and physical effects. Another difference is that the Kobe government made a slow response and lack of an emergency plan when the earthquake hit. In Kashmir earthquake, the government reacted instantly. Many good and bad things happened after the quake, 1 week after the quake: the death toll continued to rise, bulldozers began to clear streets and knock down unsafe buildings, some shops and schools reopened. After 2 weeks: Overcrowding in makeshift shelters became a health hazard, cold weather led to a flu epidemic, people needed help to cope with the stress and shock of the quake.

Sunday, January 5, 2020

Should Prostitution be Legalized - 1572 Words

Legalizing prostitution could reduce attacks on women, trafficking of children, and the excessive amount of police man hours. What is prostitution, prostitution means that it is an activity that a person receiving sexual favors for monetary payments. Considered by many as the oldest profession in the world it is still illegal in most countries. Prostitution can be looked at from different points of view; it can be looked upon as a means to obtain sex without having the hassles of dating someone. Some issues could arise in relation to public health, legal issues, ethical, and moral issues if the legalization of prostitution is violating human rights. Some would argue that legal prostitution could cause public health, and safety issues. Many believe that prostitution is considered violent to a specific gender and a total violation of human rights (Ekberg, 2004; Giobbe, Harrigan, Ryan Gamache, 1990; Valor-Segura Exposito, 2008). It is said that some women become prostitutes by trickery or coercion, but in reality most women knowingly practice the profession of prostitution because of the financial gain over many jobs in the modern day world. These women could also use prostitution as their line of work because they enjoy what they are doing. The theory of Ambivalent Sexism, this theory states that sexism derived from two different aspects; both are similar. The first aspect is benevolent sexism. Benevolent sexism deals with the search for intimacy, or the lack of socialShow MoreRelatedShould Prostitution Be Legalized?1406 Words   |  6 PagesProstitution is one of the largest controversial issue facing the United States. The definition of prostitution, according to Merriam-Webster’s Dictionary, is the act or practice of engaging in sexual relations especially for the money. Prostitution has been constantly bashed by the media and is currently legal in only one state. In this state, only one county has banned prostitution. Why is it illegal? What is wrong with prostitution that has made it illegal? These are the important questions thatRead MoreShould Prostitution Be Legalized?1048 Words   |  5 PagesWalker May,15,2015 Should prostitution be legalized? Most of us have heard of prostitution and the controversial opinions of people whether it should be legalized or not. The fact is that prostitution has been practiced for many years regardless of its legality. As defined in the dictionary prostitution is the exchange of sex for money. Out of the 50 states in the U.S., Nevada is the only states were prostitution is legal. On the other hand, in some European countries prostitution is not illegal andRead MoreShould Prostitution Be Legalized?1111 Words   |  5 PagesProstitution has been around for a very long time. There has been great debates over the last few decades about prostitution law reform. 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Prostitution is defined as the engaging in, or agreeing to engage in, sexual conduct for a fee. Women are pushed into entering prostitution for many reasons including lack of education, poverty, and personal choice. Prostitution is currently illegal, but there is much controversy surrounding this issue. Picture in your mind this scenario: Jane is a 26 year old single woman who makes her living working the streets as a prostitute. She is clean, and is tested regularlyRead MoreShould Prostitution Be Legalized?1411 Words   |  6 PagesShould prostitution be Legalized? Whether or not prostitution should be legalized is, for some, a morally plagued question. The value society puts on sex can directly affect whether or not legalization will be considered. Even within Europe there is a drift. While France has banned prostitution it is legal in Germany, and has been since 2002. Is France morally outstanding, or is there something more to prostitution then what generally thought? The legalization of prostitution will affect many otherRead MoreShould Prostitution Be Legalized?1537 Words   |  7 PagesProfessor Petretto English 111 15 Nov. 2016 Should Prostitution be Legalized? Prostitution has been and may always be one of the most controversial topics in the United States. While there are some who argue that prostitution should be legalized, others do not agree with this theory. Some advocates argue that prostitution is a victimless crime and that it should be a decision that one chooses on his or her own. They also believe that the legalization of prostitution will minimize crime, increase tax revenue